Connect with us

Design

L.A. Hotel Wrap Promotes TNT Show “Leverage”

Milwaukee-based Kubin-Nicholson executes project

Published

on

Los Angeles may not quite have NYC’s reputation – especially Times Square – for supersized wall graphics, but movie-studio and TV executives eagerly embrace them to promote new productions. Turner Networks hired Kubin-Nicholson, a Milwaukee-based company – it also prints jobs at its Dallas facility – founded in 1926 as a billboard-painting shop that’s evolved into a full-service wrap provider, to produce a wrap that covers the wall at a Hyatt Hotel in West Hollywood.

The wrap, which was in place approximately three months, promoted the second season of Leverage, a TNT show that starred (it was cancelled in December) Timothy Hutton, whose character is the leader of a team that executes thefts and espionage that target large corporations and wealthy individuals to benefit average citizens exploited by the powerful.

According to Mike Rees, Kubin’s president, building wraps are produced within the company’s out-of-home business, which represents roughly half of its work. He noted that its work derives from a combination of advertising agencies, media brokers and property-management companies.

“Most locations already have hardware in place, so we ask for written installation specifications because there are many ways to rig a wrap on a wall, and we want to make sure we clearly understand their wishes,” Norris said. “When we’re hired to print wraps for new locations, we usually hire a surveyor to evaluate the property and provide suggestions for how to safely and efficiently rig the display.”

Kubin produced the wall wrap as four, 102 ft., 4-in.-long strips for the wall, and 18, 8 in. x 81 ft. 5-in. strips for the windows. The shop printed the wall graphics on Flexcon’s FLEXmark® BILBRD™ BWV RTS, a 3.5-mil, opaque, self-adhesive vinyl designed for heightened color contrast. The window-graphic sections comprise Clear Focus Imaging’s ImageVue® 35%-perforated media. Kubin printed the job on its EFI-VUTEk GS 3250 roll-to-roll, UV-cure-ink printer.

“Color reproduction and consistency are always key considerations, especially when multiple materials are involved,” Norris said. “It’s also important to verify all measurements actually match what the spec sheet says, and to register all of the panels for proper alignment.”
 

Advertisement

Advertisement

SPONSORED VIDEO

Introducing the Sign Industry Podcast

The Sign Industry Podcast is a platform for every sign person out there — from the old-timers who bent neon and hand-lettered boats to those venturing into new technologies — we want to get their stories out for everyone to hear. Come join us and listen to stories, learn tricks or techniques, and get insights of what’s to come. We are the world’s second oldest profession. The folks who started the world’s oldest profession needed a sign.

Promoted Headlines

Advertisement

Subscribe

Advertisement

Most Popular